Referencing films such as Hiroshima Mon Amour (1959), and La Rabbia (1963), In a World Full of Angels presents a mosaic vision of faith amidst turbulent technological and historical developments. As a pilgrim skydiver prepares to fall to Earth, she contemplates her place in history, drawing through-lines between the world today and two notable events of “divine” aerial intervention – the Miracle of the Sun at Fatima, Portugal in 1917, and the use of atomic weapons on Hiroshima and Nagasaki in 1945. Muddled by her own temporal and cultural distance to these events, the skydiver confronts her own modernity by channeling an eschatological prophecy that attempts to grasp meaning in an otherwise groundless world.